Showing posts with label 18th century. Show all posts
Showing posts with label 18th century. Show all posts

Monday, March 26, 2012

Casanova: His Known & Unknown Life by Guy Endore

***  I intended to publish this post a few days back but the hubby got chest congestion which led to me battling a nasty sinus cold so my concentration on this was less than full on, to say the least. Thanks for hanging in there readers! ***






There's something appealing to me about one now obscure writer writing a biography on another. I have just a few of Samuel Guy Endore's novels in my library because editions seem to be so scare nowadays. If you find one, give it a try - he's got a brilliant smoothness to his writing. In this instance though, he puts aside the fiction and writes this scholarly work. But even this bio read like a novel for me! I don't know if that's due to Endore's skills as a writer or just because Casanova is such an intriguing subject. Maybe a bit of both.





Giacomo (Jacob) Girolamo Casanova (1725-1798) is most commonly known as the legendary lothario, up there with Don Juan. His accomplishments extended outside of 18th century boudoirs though. He also held the titles of hedonist, gambler, traveler, scholar, mathematician, philosopher, intellectual, librarian, government spy, Freemason, compulsive writer, matchmaker (he had a tendency to find new amores for his romantic liaison cast-offs), aristocrat (later in life), felon... others called him a magician, an imposter  -- the "imposter" label probably came from the old money types who didn't like Casanova's ability to earn and spend like a rap mogul and throw back a few with the social elite, kicking back at places like Chateau Chambord (a chateau mentioned in one of my Tour of France posts). There was even speculation that he may have been Jesuit. He liked to be one of a kind. He hated (or maybe just felt threatened by) fellow adventurerers who led similar lives of gambling, travel, numerous loves, etc. 


As far as the writing thing goes, I have a sneaking suspicion Casanova had a strong case of hypergraphia. It's not specifically noted in this book, but there are descriptions of Casanova's numerous books and pamphlets. Whenever money allowed, Casanova seemed to constantly be sending new works to printers though very few of these publications found many readers in his lifetime. Even now, though you can find works about the guy easy enough, it's a bit of a treasure hunt to find the stuff actually written by the man himself. The easiest title to find copies of is of the autobiography itself. Problem is, Endore points out that Casanova wrote four different versions of this book and each version is full of embellishments and chronological inaccuracies. It seems Casanova didn't like pesky or boring facts get in the way of a killer story ;-) . 


photo by Greg Gorman


There's a good deal of strangeness surrounding Casanova's autobiography. Aside from all the inaccuracies, there's also the fact that he dated the book "my life up to 1797" but the book stops at the year 1774. No one is quite sure why. Maybe he got bored with the project and quit writing (from what I've read of him, this seems unlikely but possible). It's also possible -- and theorized by some scholars -- that he did in fact finish up to the year 1797 but perhaps mentioned something someone else didn't want publicized, so the pages mentioning those years might have been destroyed. And the errors -- what were the intentions behind the errors, the blatant contradictions and flat - out lies? Was it out of carelessness? Forgetfulness? Was he trying to throw sand in the face of his enemies, hiding secrets out in the open? Or was it just that he wanted credit for events he was involved with but not blame lol. If only he was around to set the record straight!
Their cynicism passes all bounds...the more I write, the more I am convinced that my work is meant to be burnt.  ~~~ Casanova on his own memoirs

Giacomo Casanova
In his autobio, Casanova gives his height as 5'9 but Endore 
explains that by today's measuring standards, his height 
fell just under 6'2. 
Could've been part of his appeal, maybe?
Being the tall, dark guy in the room?


"Casanova would have been a splendid-looking man if he had not been so ugly. He was tall, built like Hercules, but with an almost African complexion; his eyes were bright and quick, frank and intelligent, but they indicated an uneasy susceptibility and a vindictive ferocity; it was easier to make him angry than make him laugh. In fact he seldom laughed, even when he brought everyone else to laughter. He had a way about him, a very charming way... he knew everything, except those things which he prided himself upon knowing -- such as the rules of dancing, of the French language, of good taste and breeding and of conduct in high society...He was touchy and grateful; but when he was displeased, he was grumbling, bitter and altogether detestable. With a million you could not have bought back his good will once you had offended him with a joke at his expense."  ~~~ Prince de Ligne on Casanova



haven't read this one by Endore mentions that Zola used 
incidents from Casanova's life as inspiration (in part) for 
this book




This guy seemed to be the Gene Simmons of his day. He lays claim to 116 female conquests! Okay, so maybe not quite in Simmons territory but still a pretty hefty number among men, even by today's standards. Even in his autobiography, Casanova tried to be careful about concealing the true identities of these women, only naming them by initials for the most part (though Endore points out a few spots where hints to identity were dropped).  A number of the rumored liasions were with noble women (though he wasn't too proud for the occasional literal roll in the hay with a mammarific milkmaid now and then). I wonder, if your wife sleeps  with someone of Casanova's reputation, does the husband get offended or is part of him flattered that his wife was thought so tempting? The funny part in all of this is that of all the conquests Casanova claimed, only one, Francesca Buschini, can be undisputably verified and that is through her correspondence with him  that survived both their lifetimes. 

Also, I was unaware that this sort of thing was documented very thoroughly in Casanova's time but in this book Endore claims that Casanova suffered from at least 11 different STDs! 


...for what causes the delights of my life has nothing to do with the place where I dwell. When I am not sleeping, I dream, and when I am tired of dreaming, I grind out black on paper, then I read and more often than not I reject all that my pen has vomited. ~~~ Giacomo Casanova
{life of a writer right there all summed up!!}


Casanova seemed to have a good deal of spiritual conflict for most of his life. He was an abbe during his early adult years but it seems he really had to fight his liking for the ladies. He writes in his autobio of these beautiful women who would see him as just an abbe, so they would sit casually next to him or feel comfortable laying languidly in his presence. His descriptions reminded me of that classic character in romantic comedies -- you know, the guy that pretends to be gay so women will open up to him but then it ends up backfiring with the girl falling for the guy, then exclaiming "But no! I can't!" 

In his later years, perhaps because his popularity with the ladies had waned, Casanova drifted back to his religious roots, often writing moral pieces that chastised the promiscuous. He preached more and more than chastity would bring people closer to their God, but I still say at least some of this proselytizing was due to his lack of action with the ladies. If he couldn't have his fun he could at least guilt people out of theirs!




Regarding his "felon" years, Casanova was thrown into "The Leads"  -- or Piombi by its Italian name -- Prison (nicknamed for the lead plates on its roof) for allegedly being a practicing Freemason in a Catholic community -- I'm guessing because of the mystery around the Freemasons, they probably seemed cult-like to the Catholic church, though to be fair, it's not like the Catholic church hasn't had their own rumors of secret, mysterious behavior over the centuries. He served some time there but eventually got restless, oddly enough lol, and managed to figure out a successful escape. Even more odd, no one went after him and he went on to write his memoir on the experience, Escape From The Leads. Some years later, he wound up in prison again, this time in Spain, but there he was made to stick out his term so he wrote letters to every high ranking person he knew. Surprisingly, those letters actually did bring about the first tricklings of prison reform in the area (even though by that time -- his time in Spain --  Casanova's appeal had started to fade, along with his looks. He was just starting to phase into the angry-old-man-constantly -writing-complaint-letters-type that few took seriously anymore). 



"Equestrian Portrait of Prince Wenzel Anton Kaunitz-Reitberg"
by Francesco Casanova, Giacomo Casanova's brother.
Francesco was hired as Prince Kaunitz's royal painter. 


Aside from Francesca Buschini, there are two ladies that Casanova mentions a bit more than the rest, the first being Therese Imer, who later became a beloved opera singer by the name of Madame Trenti. Casanova claimed that when he ran into her years after their initial coupling, Teresa swore he fathered her daughter, Sophie, even showing him a baptismal record with the girl's birthdate (I guess basically telling him "you do the math" lol). He acknowledged that he saw resemblance between himself and the girl but ...

As to that strange encounter with Therese Imer, wife of Pompeati, we have full records with exact dates that leave no doubt that Sophie was not Casanova's daughter. We do know that Casanova corresponded with the little girl  and had a deep fatherly love for her, for he sent her  at least one present to which she replied in a childish letter, thanking him... Casanova preserved this letter throughout forty years of stormy life. It was found lately among his manuscripts. ~~~ Guy Endore 1929



If that wasn't bad enough, Therese somehow convinced Casanova to take her son with him (who knows who the father of that kid was) and try to use his connections to introduce the boy to good society! It seemed she didn't really know what to do with a boy so she pawned him off on Casanova. Mother of the Year material there! But it's funny how Lady Karma ends up finding such people, given time. Years after pawning her son off on Casanova, Therese and Sophie set up residence in the Carlisle House (I tried to find a pic of this house but I'm not sure if the building still exists. There was a Carlisle House that was later named the London Inn which fit the time period of all these people but that building was demolished in the late 1800s with a new London Inn being built near the spot -- but I don't know if this was the same place). At the Carlisle House, Therese held 24 lavish balls and extravagant dinners per year, featuring music performed by such greats as Bach and Abel. Least until she went bankrupt that is. Girl couldn't balance an account to save herself and ended up dying in Fleet Prison (a common prison for debtors).


He then went on to give his fickle heart to Manon Balleti, one of many women he proposed. Manon was the closest he came to fulfilling the offer. They made plans to marry but then Casanova decided to go to Holland. Manon's family was under the assumption that he did this to build up some wealth before marrying Manon, but really I think it was just a case of cold feet, a "runaway groom" of sorts ;-) Casanova met up with a number of old flames and acquaintances, including Therese again (pre-Fleet Prison residency obviously).  He forgets about Manon until one night -- oops! -- he runs into her at a theater while trying to put his moves on another girl! This had been about a year since his leaving for Holland. I can just picture that moment him saying "oooh heeey gurl, how you been?" LOL. 


"Manon Balleti" by Jean-Marc Nattier (1757)
Manon was once engaged to Casanova


Not sure what he said, but Casanova was able to work things out with Manon, at least for awhile. They returned to Paris together, where he and Manon took up residence at Petit-Pologne (Little Poland) estate. Eventually the union fizzled out and they went their separate ways.

There was one other woman who had an interesting link to Casanova, though she was not one of his own love affairs. Guistiniana Wynne was bethrothed to an English nobleman in his 60s. She wanted out of the arrangement. She fell desperately in love with Andrea Memno and had a child out of wedlock with him (the baby was given up for adoption). There was such a scandal surrounding the whole affair that Wynne escaped from Venice,exhiling herself in London. She went on to marry Count von Rosenberg (who, by the way, was just as old as the original "icky old guy" she was engaged to), Austrian Ambassador to Venice, becoming respectable Madame von Rosenberg, allowing her to return to Venice with her head held high above those who previously scoffed at her youthful, romantic impetuousness. The count died shortly after the marriage. His widow, now a respectable titled widow, spent her later years devoting her life to literary endeavors, hosting salons in Venice for artistic and literary people, as well as writing moral stories for boys and girls. Her affair with Andrea Memno is the subject of the book A Venetian Affair  by Andrea di Robilant (just one of many on my TBR list). As for Casanova's part, he tried to help Wynne in the matter but was later imprisoned for his involvement. 




Casanova did some 18th century couch crashing at his brother Francois' place whenever the ladies had tapped his savings too hard. While he had other brothers, Casanova and Francois shared a "party hardy" mentality, constantly living outside of their means. Casanova decided to come up with a plan to save his brother's finances (to which I said... "Dude, what about your finances?? You're crashing at your brother's!"
The plan wasn't complex, but it worked. Basically, Casanova went all Joe Pesci on his brother's clients. He went after every person that had commissioned a painting but didn't pay or hadn't picked their painting up. He then went on a mission to drum up new clients. In no time, all debts were paid off. Casanova then pulled the "bros before hoes" card and convinced his brother to run off to Germany with him, leaving Francois' icy, frigid wife (or so she was described) to fend for herself. Things didn't end well for her, but according to Endore, it might not have been entirely her fault:


His wife {Francois'}, a pretty creature, told Giacomo that her husband's lack of virility was slowly killing her. Sexually impotent he yet loved her and she loved him, and she refused to take a lover. Casanova records that her continence soon caused her death. It was one of his staunchest beliefs , one that he retained to his dying day, that lack of sexual expression is followed by mortal illness. 


I can just see my husband trying to keep me busy after reading this! I can just hear him, "Mortal illness, Angie! Is that what you want for the man you love??" LOL... oooh boys. Still, if Francois' wife had mentioned to Casanova about her husband's condition, I wonder why she was still considered "icy" and deserving of being left on her own? Relationships are such layered things sometimes... 








Mario & Luigi visited with family in Germany but got restless so they headed to Vienna. Wonder if that's like when a guy and his crew hits up Vegas? :-P



"Stolen Kiss" 
by Jean Honore Fragonard 



In Vienna, they met Prince Kaunitz, Prince de Ligne, who hired Francois as his royal painter, but again Francois blew threw his salary pretty quick, even taking on a mistress (and it's like I tell my husband, if you have a windfall you don't know how to spend, all ya gotta do is ask me, I'm here to help ;-) ). By 1803 Francois was declared bankrupt by the courts and died a few weeks after the ruling from good ol' "consumption".

"Giovanni Giacomo Casanova Chevalier de Saingalt,
with the Young Comtesse at Venice "

by Auguste Leroux


Casanova's life can be considered a cautionary tale in relying on your looks to get you by in life. True, he had to have some wits and ingenuity, the way he was able to lose and gain massive fortunes over and over again. He was virtually penniless by the time he reached "old age" (he was 58 at the time, old for then but funny to think of it as such now).  He didn't fully accept getting older until he had lost his last real tooth and was forced to embrace porcelain dentures. 


Casanova was banned from his native Venice for 16 years thanks to the Inquistion going on there, being a "person of interest", I guess. He was allowed to live on a nearby island (not Poveglia ;-) ), writing to the Inquisiton board for years, essentially begging to be allowed back into the city.After many years, he was eventually allowed back in and even talked his way into a position as a government spy for the Inquistion Board! He held the position for 7 years until the Board finally caught on that they weren't really getting much better intel than your average Neighborwood Watch.




Monty Python Inquisition sketch




the "Inquisition Song" from 
History Of The World Pt. 1
gotta love Mel Brooks!


 He spent the last thirteen years of his life as librarian at Dux Castle, the home of Count Waldenstein. By 1793,  he became so depressed with old age, the loss of his looks, the deaths of so many good friends that he actually sat down and wrote down the pros and cons of suicide and the reasons he'd want to stay alive -- actually a productive way to talk oneself down I thought. Guess he had more checks in the "tough it out" box because he ended up having a few more years yet. Casanova died June 4th, 1798 at the age of 73. Carlo Angiolini (who was married to Casanova's niece) and Casanova's dog, Finette were the only ones present at the legendary lover's passing. 


On his grave a decent plinth was placed and above that a little cross of iron. It is related that the cross soon fell from its socket and lay on the ground half-concealed among the tall grass. And it is further said that on dark nights passing girls caught their skirts on its hooks. 
Hehe.. player to the end!


So I managed to get this post knocked out! I had to put my normally happy-to-be-eco-friendly self to the side for the time being and indulge in some nice hot showers (the steam cloud being the one place I can currently regain almost full sinus function!). Between that and a constant brewing of honey infused herbal teas to wash back the Coricidin and (again, I apologize for the non - green living here) a slew of tissue boxes practically fused to my hand, I am managing to remain semi-functional, so hang in there, more posts coming shortly!

Friday, February 10, 2012

Manon Lescaut by the Abbe Prevost Dexiles


"Woman With Pearl Hairdress" by Jean Francois de Neufforge



I think the Abbe Prevost best summed up his work here in the "Note By The Author" (Preface to Manon Lescaut)


If the public has found something agreeable and interesting in the history of my life, I dare promise that it will not be ill satisfied  with this addition. It will see in the conduct of M. des Grieux a terrible example of the strength of the passions. I have to paint a blind young man who turns his back on happiness to plunge of his own free will into the worst misfortunes: who with all the qualities that go to form the brightest merit, chooses an obscure and vagabond life in preference to all the advantages of fortune and of nature: who forsees his misfortunes without wishing to avoid them; who feels them and is overwhelmed by them without availing himself of the remedies which are continually offered him and which might at any moment put an end to them; in short, an ambiguous character, a mixture of virtues and vices, a perpetual contrast of good sentiments and bad actions. Such is the substance of the picture which I am about to present to the eyes of my readers.



Abbe Prevost


Though Prevost is speaking mostly of Grieux, Manon's main love throughout the novel, "an ambiguous character, a mixture of virtues and vices" could well describe Manon, the sort of anti-heroine of the story. The Story of Manon Lescaut & the Chevalier Des Grieux is perhaps not what one would call a traditional romance (ie. perfectly gorgeous man meeting girl-next-door stunner and falling in love for forever) but it is more of a realistic romance. It's messy, ugly at times. Manon is a girl you can love and hate equally for her choices. You want her to grow up, yet you feel sorry for her losing some of her innocence too early. The poor girl makes enormously bad choices in men and finances, but in the end, her end doesn't seem all that just. Somehow, in some way, she makes her self likeable despite her behavior.


artwork from an early edition of Manon Lescaut


Manon Lescaut is the story of a young French girl, Manon, who is about to be confined to a nunnery for the rest of her days, a fate she herself does not want but feels no escape from, thanks to her father.  The same day that Manon is to take her vows, the narrator of the story, Chevalier des Grieux, sees her in the street just outside of the convent walls and is immediately smitten with Manon's youthful, innocent kind of beauty. Grieux ditches his original plans of touring the area with his best friend, Tiberge, and goes after the girl, much to Tiberge's annoyance. Grieux takes his mode of transportation, sweeps Manon away from her father and the convent, carrying them away as far as they can go on their limited income. 


French carriage
photo by Jorge Barrios



As you might have guessed, this plan of Grieux's wasn't thought out all that much lol. Those crazy kids ran out of money pretty quick and Manon was returned to her family... but then he steals her away again!!  And again they run out of money. So starts the pattern of Manon running with the impulses of her heart and worrying about the rest later (a tough mode to live by but one I've certainly experienced myself!).


"Woman With A White Hat" by Jean Baptiste Greuze


The bulk of the story is Grieux's retelling of all the financial mishaps he and Manon got into in the early days of their acquaintance and romance. They travel all around France, and even parts of England, trying out different "get rich quick" schemes Manon thinks up, as well as honest, manual labor when they get really desperate. Manon's trouble stems from the fact that she loves living the good life but hates that she should ever be forced to do any sort of serious, "blue-collar" type work to get the things she wants. She wants men to fawn over her beauty and just hand her jewels and dresses in luxurious fabrics. LOL, well don't we all! No peasant wants to be a peasant but Manon refuses to believe anything other than that she must be entitled to the finest in life, though she holds no titles, no education, nothing that would recommend her to the upper classes outside of her pretty face and fun-loving disposition. Wish I could have been there to tell her that's rarely enough! It might get you in the door, so to speak, but you're going to have to have something for those uppity-ups to want to keep you around... which really only leaves one easy (and I do mean "easy") way in in that time period.... that of a mistress to men of power.




Actors from Puccini's opera adaptation of Manon Lescaut


Grieux floats in and out of her life but always comes back. Manon, I think, truly loved Grieux -- though that's part of the fun of the story, the reader getting to debate whether her actions and feelings were real or if she was just playing a part and using Grieux as a toy. Grieux didn't have endless finances so Manon secretly took up with wealthier men on the side. For a good while she kept herself and Grieux in the lap of luxury without ever really explaining to him how she was doing that. But,as these things tend to, her secret leaked out one day and after he gets over his shock a bit, Manon somehow convinces Grieux to help her set up these trysts, reasoning that them working together can only bring them more money!



"In The Boudoir" by Ettore Simonetti


There is a distinct pattern throughout the story where these plots go really well at first and then fail utterly miserably. When they fail, what does Grieux do each time?? He runs to his buddy Tiberge that he left stranded in town the first time! Failed scheme after failed scheme, Grieux goes to Tiberge each time Manon gets him in trouble again or saps him of any savings he might have had. Grieux has to beg Tiberge for money or sometimes shelter... mostly money. What I found surprising was that no matter how many times this happened, no matter how many times Tiberge said "Seriously, this is the last time -- get yourself together!" , he'd always pony up more money the next time Grieux asked! That's the sort of situation where I can't decide if that makes for the most loyal, unconditionally loving friend or if you have someone that just can't learn to stop sticking their hand in the fire! Then again, Grieux says of this:

That human resolutions are liable to change has never been a matter of surprise to me: one passion gives them birth, another can destroy them. 
And then Tiberge's own response:

...the first thing I {Grieux} entreated of him {Tiberge} was to let me know if I might still look upon him as my friend, after having so justly deserved to lose his esteem and his affection. He answered me in the tenderest tones that nothing could make him renounce his friendship; that my very misfortunes, and -- if I would allow him to say so -- my faults and my disorders did but redouble his tenderness towards me; but that it was a tenderness mingled with the keenest pain such as one feels when one sees the beloved on the verge of ruin without being able to give him aid.

I don't know, that's a tough one for me. Granted, there's few things more irritating than a fair-weather friend, but shouldn't there be some cut-off? Some point where you say, "I love you but I can't let you take me down with you." ?? As a friend, if you don't set a boundary, are you really helping them or are you just enabling their bad choices? Is it heartless of me to think such a person as Grieux could use a good dose of tough love?? I've received a few doses from friends over the years and yeah, it stings at first, but it does set the senses back in order in a hurry!

"The Korin Brothers" by Mikhail Nesterov


Manon's biggest blunder in scheming involved a man referred to as "M. de G.M.", and later his son, G.M. Junior. G.M. Senior, an older, aristocratic man, is introduced to Manon and arranges to pay her a certain hefty sum of money for what is only described as "favors". By the way, there is nothing blatantly sexual (least not that I noticed) in this novel, it is only hinted at that Manon sells herself for money. Part of Manon's plan is that Grieux is to introduce himself as her cousin, or it might be brother, a relative at any rate, and a younger one at that. It's a bit of a hard sell but G.M buys into it. Manon somehow manages to keep him at bay as far as having to actually sleep with him and waits for a night when he is called away for work when she and Grieux try to gather up money and jewels, but not before attempting a quickie in G.M. bedroom! That little pause ends up being the undoing of them. G.M. comes home, understandably flips out when he figures out what's going on and swiftly has Manon locked up, but for some odd reason she's placed in the mental ward at the Common Hospital (that's what it's called in the book - I'm guessing it's another term for a general hospital). Grieux is sent to prison. 


Actors from Puccini's opera adaptation of Manon Lescaut





Grieux manages to escape from prison. Borrowing a gun from Manon's brother, and putting together some plans of his own, Grieux eventually manages to break Manon out of the hospital and does his best to "take her away from it all". They try to live a modest life with honest work and a small cottage but of course Manon gets bored with this and starts up her old tricks again soon enough. Shame is, the next man she sets her sights on to make her rich is none other than G.M. Junior. Junior, like his father, falls into infatuation with  Manon, until he too finds out he's been duped. Manon and Grieux are arrested again but work their connections magic and find a way to board a ship to America to escape persecution in France. A few rough months at sea later, they find themselves in what would become New Orleans, Louisiana. Grieux comments that " we had not been able to see the town from the sea -- it is hidden from the sea by a small hill"

Bummer for them, America doesn't hold all the hopes and answers they prayed for. I won't give away the big ending (and it's pretty dramatic) but I will give you a small teaser in saying it has something in common with this:





Grieux has an interesting way of making a girl feel special, telling Manon " 'tis a fate enviable enough for me to be unhappy with you."  Aawwww :-P



"On The Beach" by Edouard Manet



It breaks Grieux's heart to see Manon hurting (ahhh crazy, bewildering love lol) and his description of her suffering makes for a heartbreaking image. Looking back on her capture, he recalls:

Must I tell you what was the sorrowful subject of my talks with Manon during that journey, or the first impression of the sight of her when I got leave from the Guards  to draw near her waggon! Ah, words can never but half express the feelings of the heart; but imagine for yourself my poor mistress chained by the waist, seated on some handfuls of straw, her head leant despairingly against the side of the waggon, her face white and wet with streaming tears that forced their way beneath the eyelids that she kept perpentually closed. She had not even had the curiousity to open them when she heard the commotion among the Guards at the moment of our threatened attack. Her linen was soiled and disordered; her delicate hands bare to the harshness of the air; all that enchanting frame, the face that could bring back the universe to idolatry, was sunk in unutterable abandonment and despair. 




There's not a TON of action in this story, but it does serve as a sort of love lesson, the dangers of  lusting without loving, loving too hard, loving for the wrong reasons, even loving unconditionally. I think it will mean different things for different people. Manon Lescaut is an antique read but an easy read definitely looking into. As I said earlier, it's not your traditional love story but there are plenty of passages to stun you, make you nod your head in recognition, even moments where all you can say is "aaawww!" :-)


Happy Leap Year Love Month Everyone!!



"Woman With A Pearl Necklace"

**Barry, quit snickering ;-)**